The “Light Printing” project was born from the fusion of graffiti and the Burning Man principle of “Leave No Trace.” In “Fugara,” an art group I belonged to, our mission was to provide people with transient yet captivating art, without altering the canvas permanently. This endeavor unfolded in May 2016 within the Old City of Jerusalem, a location rich in religious significance. The festival’s theme, “Evolution,” carried a hint of controversy due to its religious context. My responsibility centered on solving the   installation for this project.